By Michael Janis
Africa after Modernism lines shifts in views on African tradition, arts, and philosophy from the clash with ecu modernist interventions within the weather of colonialist aggression to give identitarian positions within the weather of globalism, multiculturalism, and mass media. by means of targeting what might be known as deconstructive moments in twentieth-century Africanist concept – on highbrow landmarks, progressive principles, crises of cognizance, literary and philosophical debates – this research seems to be at African modernity and modernism from severe postcolonial views. An attempt to caricature modern frameworks of worldwide intersubjective family members reflecting African cultures and issues needs to withstand taking modernism as a time period of African periodization, or master-narrative, yet as a constellation of discursive and subjective kinds that obtains upon the current second in African literature, philosophy, and cultural heritage. Africa after Modernism argues for a philosophical attention and pan-African multiculturalist ethos that function, after the deconstruction of Eurocentrism, past self/other paradigms of exoticism or West/Africa political ideologies, in discussion with postcolonial methods to cultural reciprocity.
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Extra info for Africa after Modernism: Transitions in Literature, Media, and Philosophy (Routledge Studies in Cultural History)
Africa after Modernism: Transitions in Literature, Media, and Philosophy (Routledge Studies in Cultural History) by Michael Janis